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Carbonite’s 1 or 2 MLE panels both offer full panel mnemonics, Ross ‘PanelGlow’ RGB buttons and of course those legendary Ross faders that are guaranteed for life. Carbonite packs 4 channels of DVE, 4 keyers per MLE and 4 channels of Media-Store into a tiny 2RU chassis.
#Ross carbonite media manager lock symbol series
The Carbonite series of production switchers includes two choices on panel size combined with a 16 or 24 input chassis.
#Ross carbonite media manager lock symbol upgrade
LiveAssist is currently shipping and is a free downloadable upgrade for existing Carbonite users. It provides a simple, yet efficient, user interface for key settings, MediaWipe management and more.
It is unprecedented in our industry.”ĭashBoard LiveAssist offers Carbonite users additional soft control and set up interfaces via the Ross Video DashBoard Control System. ViewControl is much more than just touching sources and bringing them to air, this is a sophisticated and highly integrated system that can easily perform seriously complex productions. You really have to play with ViewControl to truly appreciate how powerful it is. “By combining DashBoard with Carbonite’s MultiViewer and advanced custom controls, users can build incredibly complex productions that are very intuitive to operate. “ViewControl combines a live MultiViewer with a custom DashBoard overlay, providing a low latency, real-time visual control surface,” says Les O’Reilly, Switcher Marketing Product Manager, Ross Video.
#Ross carbonite media manager lock symbol professional
ViewControl provides a powerful way for any level of experience operator to create a professional production with the touch of a finger. This basically grants you unlimited power over the system, but it also requires you to be a somewhat competent application developer.Friday, Aug – Ross Video’s Carbonite mid-size production switchers are expanding their options with the addition ViewControl and DashBoard’s LiveAssist. The second way to talk to Xpression is with the. For simple tasks, this shouldn't be an issue though. The second downside is that you have no way to read the state of Xpression. Attaching a script to a GPI can further alleviate this as well. You shouldn't have any trouble handling the most common tasks, such as taking graphics to air or clearing a channel. It's not as big a deal as you might think though. The first is that you're limited in the types of commands that you can run. There are two downsides to using this method though. You can send it simple commands over the network, just like you would if you were controlling it with a Carbonite switcher or Dashboard. R/talesfromproduction All your weird stories R/LocationSound Location sound AKA Production Sound R/audiopost For post-production sound geeks in Games, TV, Film, and Broadcast r/crestron All that is good (and bad) in the world of Crestron r/broadcastengineering Also includes radio! r/CommercialAV Commercial audio, video, and control technologies If you have any questions or suggestions please feel free to messsage the moderators! We would love to make this a great and successful subreddit for all of us video engineers! Remember that no question is stupid and we work together to create a friendly community. All things video are welcome!įeel free to post anything you like from questions to pictures. From a dad with a camcorder to a professional engineer at the superbowl, or a small meeting room operator to a widescreen specialist, projectionist, LED wall engineer or a electrical video engineer. This subreddit is open to anyone to discuss, share and show their work, as well as ask questions towards anything concerning video production.
Welcome to r/videoengineering! Inspired by our brother subreddit: audioengineering
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